2009/11/04

He Wanted to Make a Big Bang!

I Hope There's a Bar Where They'll Show V for Vendetta and Play British Rock All Night Long to Commemorate What I'm About to Try.

Remember, remember the 5th of November

the gunpowder treason and plot

I know of no reason why the gunpowder treason

should ever be forgot--


Apparently New York City in all its cultural diversity feels the need to appreciate British people on November 5 in the guise of Guy Fawkes Night. So what better way to celebrate an act of rebelling against one's government from the 17th century than by drinking british beer and listening to the Beatles. What's funny is that most of the people who go out and party in NYC for Guy Fawkes would be the same to call him a terrorist if Guy pulled that stunt tomorrow. In fact when was the last time we celebrated Ted Kacynski Night in NYC. Don't mistake me...I'm not against the Gun Powder Treason and Plot, but let us celebrate by attempting to take an example from Mr. Fawkes, if you are upset with the rules then you must take action against them.


I'd even settle for fireworks or good old fashion fire, I heard in the UK they burn a figure of Fawkes. You'd get arrested for that in NYC, you can't do anything anymore too many rules, laws, prohibitions. The only fireworks are mainly for July 4th, ironically, Independence Day.

Blood Simple


There's a vampire craze, when isn't there? It happens. I think every generation has a vampire craze. The media loves it, they go on as if its never happened before. So lets pretend that the above picture is in fact Gary Oldman in the role of a Television Set.


We Suck Young Blood (Your Time is up.)

by Radiohead

from the album Hail to the Thief

released June 9, 2003


Are you hungry?

Are you sick?

Are you begging for a break?

Are you sweet?

Are you fresh?

Are you strung up by the wrists?


We want the young blood.


Are you fracturing?

Are you torn at the seams?

Would you do anything?

Flea-bitten? Motheaten?


We suck young blood.


Won't let the creeping ivy

Won't let the nervous bury me

Our veins are thinned

Our rivers poisoned


We want the sweet meats.

We want the young blood.

We suck young blood.

We want the young blood.

O Brothers, Thou Art There!

Anytime people complain about how there aren't any great filmmakers alive and active, I go somewhere inside myself and nod a disappointed "no" at such a thought that ignores some of today's talent. The Coen Brothers aren't even underrated or unrecognized, they've won and have been nominated for many awards including Oscars. Known for their strict style of directing actors but remaining open to new ideas and suggestions, they've become a name that is sought out, that is immediately associated with quality by both viewers and film personnel. Governing over a diverse body of work if one were to judge by subject matter; however, the feel is always indigenous to a sort of Coen Universe, a sardonic, intense, vivid, and shapely universe. As a result we laugh at the funny parts that aren't necessarily funny, we're nervous when we needn't be as a result of how unpredictable the film can be, we're subject to beautiful cinematography and actors of all shapes, sizes, accents, mannerisms, etc.


I'm made to remember Billy Wilder (or rather, to think of him since he never directed a film in my lifetime) who also had a very broad film career, with work in a variety of genres. I feel like a director who jumps around like that produces as a side effect, a world that isn't limited, a world that takes many things into account, regardless if its customary to that genre or not; so that the genre yields to the director and not vise versa.


Burn After Reading - (2008) Directed by the Coen Brothers

Starring George Clooney, Frances McDormand,

John Malkovich, Tilda Swinton, and Brad Pitt



Fargo - (1996) - Directed by the Coen Brothers

Starring William H. Macy, Frances McDormand, Steve Buscemi,

Peter Stormare

2009/10/31

Sensory Overlap

Today was Halloween and I watched the following films, each by their own right has caused a pause in me; collectively, they have committed me to silence until after I can sort all the information out in my head.



Elizabeth: The Golden Age - (2007) Directed by Shekhar Kapur

Starring Cate Blanchett, Geoffrey Rush, Clive Owen



Dr. Jekyll and Mr. Hyde - (1941) Directed by Victor Fleming

Starring Spencer Tracy, Ingrid Bergman, Lana Turner



Zodiac - (2007) Directed by David Fincher

Starring Mark Ruffalo, Jake Gyllenhall, Robert Downey Jr.


An Afternoon with Two French Fries and a Pizza

Pierrot le Fou - (1965) Directed by Jean-Luc Godard

Starring Jean-Paul Belmondo, Anna Karina, Graziella Galvani



Une Femme est une Femme - (1961) Directed by Jean-Luc Godard

Starring Jean-Claude Brialy, Anna Karina, Jean-Paul Belmondo



Edipo Re - (1967) Directed by Pier Paolo Pasolini

Starring Silvana Mangano, Frano Citti, Alida Valli

Take Me As I Am

...Only then can we discover each other.


On the Mistrial of Moral Judgement

by AE Paulino

Should a person's moral character be judged, if at all, by their internal or external constitution? That is, which behavior dictates whether an individual is deemed "good" or "bad?" Is it the external behavior, that which the individual displays to others, from which these others form an opinion of the individual. Or is it the internal "true colors" of the individual and nothing else that can only account for how a person may be morally judged. Is it what you do or what you feel that counts?


One would assume that what you do is based on what you feel; that would, in fact, be the case if everyone were honest. And it is true that there are honest people and that their behavior can be taken at face value but there are others who, not only put up a false appearance but are so aware of social-moral judgement that they can put up a front right into their graves. It is my belief that an individual can have views that never surface through external behavior, regardless of whether those views are "good" or "bad." You may wish to be romantic and argue that it isn't possible to live with oneself under such pretense--To you I say, you under estimate the social human condition.


Think of small things that you can't stand, for instance a successful band you hate, or a current fashion trend you can't grasp the popularity of. And even though you can't stand these things you decide not to go around and campaign against them. Rather, you just hate them to yourself but never admit it to others. This doesn't mean, necessarily, that you pretend that you are crazy as everyone else over these pop culture landmarks, only that you reserve your opinions to your own internal indiscretion. By changing subjects, politely ignoring, or vaguely agreeing, you steer around any personal output; there is always a way around any subject especially after practice, politicians may attest.


If a person is capable of withholding such trivial feelings, then is it likely a person may also have the build to behave likewise for stronger, further critical views that may impact how others regard the individual morally? I say trivial because ultimately, what does it matter if others know that you do not like Lady Gaga or think H&M to be a cheap brand? But people are strange for strange reasons, and hating Lady Gaga may invite others to feel you're a music elitist or H&M lovers may mistake your comment as snobbishly high maintenance. This may all be in the individual's head but as they say, "your mind is your worst enemy," and once he's locked you in, its very difficult for the outside world to pull you back out.


There is an obsession with fitting in, with not standing out if its not the fashionable way of standing out. There is a pressure that I need not even mention as we are all aware of. I maintain that a person may passionately hold a perspective without external demonstrations that reveal such a perspective, ever. Whether it be a lifelong crush, secret discriminations, hidden fears or joys, an individual may feel just cause for not disclosing any windows from which the external world may judge inwards.


If a person is impatient on the inside but does not reveal this, as they never make a bother of lateness, slowness or procrastination; if they appear understanding and forgiving, thus making the late party comfortable and unaware of their insulting behavior, how could one recognize the individual's impatience? Self conscious of how others look when impatient, resentful of how aggressive and proud others appear when misunderstanding or unforgiving, an individual may personally commit to an effort to avoid appearing as that which the individual finds an unappealing behavior. The question remains, is such an individual impatient? By action? No. However, internally there is a conflict. One is resentful for not being authentic, for grounding their true emotions from flight. A conflict like that may not pose a mortal threat but nonetheless, it can definitely be quite a nuisance. The individual, under such a conflict, is constantly aware of the insincerity of his/her actions, regardless if others are not. If the actions do not match the personal ideas behind those actions, shouldn't the "actor" then be judged by the ideas? If you feel impatient, you are impatient; if you don't, then you are not, despite your performance. Would Love be allowed the same leeway, would you mind at all that internally a person didn't love you, so long as that person never showed their true feelings?


At the same time, how could you know what a person is feeling if they never express it? And with that said, how could you ever truly, morally judge a person by their actions? Sure you can judge if a person is guilty of a crime, if a person has earned an award, or is sick; each of these can be deduced by factual, physical symptoms or evidence of actions but how a person internally feels is solely provided by what that individual chooses to communicate to the external world. That communication provides the evidence but as in a criminal trial, if the evidence is found to be falsified then it becomes insubstantial. We cannot rely on the assumption that everyone is being honest, until telekinesis develops in humans we cannot morally judge another person based on action alone.


Morality itself is a touchy subject, everyone has their own notions of good and bad, right and wrong. I don't think a person should be morally judged at all, morals divide people and shroud understanding by simply labeling and conditioning a behavior. But even if I felt morals were constructive and helpful in the overall evolution of mind expansion, how could I correctly make a moral judgement of an individual without all the facts? Without all the evidence, internal and external. I believe I cannot. Because only when the internal matches the external is the individual an authentic representation of their self and who they really are.


Is it what you do or what you feel that counts? It is what you do with the feelings you feel, what you feel for the things that you do, and if there is conflict between action and emotion then you cannot be judged because that is a coin that lands standing vertically, falling neither heads nor tails. External behavior alone cannot stand without disclosure of the internal sincerity of each act. That is, a patient person who is impatient on the inside is in fact, only pretending to be patient on the outside. Just the same, such a person is patient, because they are practicing patience regardless if they enjoy it or not; however, such a person is not authentically representing their self.


It is complex and human but I don't think it is something to be proud of, this conflict. We should all accept everyone as they are, understand and learn from one another, without fear of having our characters judged. Then we shall realize that when we reach that point where no moral judgement can be made, because we have fully understood one another, because we have become crystal clear as if our bodies were made of glass; there and only there, at that apex where no judgement need be established, thats the only point where moral behavior may validly be judged.

2009/10/30

How I Most Likely Got Brainwashed into Kylie Minogue

This afternoon I saw an old classmate from grade school. Her name, "E." She has a son, I didn't notice the kid since she still had the prettiest smile. We recognized one another and exchanged a smile with a partial nostalgic hand wave. I've seen her a couple of times in the past 2 or 3 years, though its the first time I've seen her son. Its weird because today E looks like a mom, like an adult woman walking her son home from school but when she smiles I see her at about her son's age back in first grade in 1988.


I had a few crushes in grade school, E was never one of them but I always thought she was pretty. In first grade we sat at the same table. One day I thought I'd cheat on my writing exercise, we were suppose to work on our letter Ts, so I figured to make things easier I'd write out a series of vertical lines, like a bunch of lower case Ls and then in one long stroke, I'd pass a horizontal line through all the lower case Ls to transform them into crossed Ts. Of course when Mr. Cohen made his rounds and came upon my desk he didn't find it as clever as I did, in fact, he said I had to do it over. E and the other girl at our table thought the humiliating correction to be hilarious. I wasn't too fond of either girl much after that.


I also remember that E had a thing for the Dirty Dancing soundtrack as well as Locomotion by Kylie Minogue. Everyday after recess, Mr. Cohen had us lay our heads down and he'd play music for ten to fifteen minutes, whenever E got to pick the playlist it was a sure bet, Hungry Eyes, Time of my Life, and/or Locomotion. E was a dark puerto rican girl with long dead black hair, she looked like a native american princess dressed like a mini Molly Ringwald.


Mr. Cohen by the way always reminded me of Tom Hanks.