Showing posts with label Morality. Show all posts
Showing posts with label Morality. Show all posts

2009/10/31

Take Me As I Am

...Only then can we discover each other.


On the Mistrial of Moral Judgement

by AE Paulino

Should a person's moral character be judged, if at all, by their internal or external constitution? That is, which behavior dictates whether an individual is deemed "good" or "bad?" Is it the external behavior, that which the individual displays to others, from which these others form an opinion of the individual. Or is it the internal "true colors" of the individual and nothing else that can only account for how a person may be morally judged. Is it what you do or what you feel that counts?


One would assume that what you do is based on what you feel; that would, in fact, be the case if everyone were honest. And it is true that there are honest people and that their behavior can be taken at face value but there are others who, not only put up a false appearance but are so aware of social-moral judgement that they can put up a front right into their graves. It is my belief that an individual can have views that never surface through external behavior, regardless of whether those views are "good" or "bad." You may wish to be romantic and argue that it isn't possible to live with oneself under such pretense--To you I say, you under estimate the social human condition.


Think of small things that you can't stand, for instance a successful band you hate, or a current fashion trend you can't grasp the popularity of. And even though you can't stand these things you decide not to go around and campaign against them. Rather, you just hate them to yourself but never admit it to others. This doesn't mean, necessarily, that you pretend that you are crazy as everyone else over these pop culture landmarks, only that you reserve your opinions to your own internal indiscretion. By changing subjects, politely ignoring, or vaguely agreeing, you steer around any personal output; there is always a way around any subject especially after practice, politicians may attest.


If a person is capable of withholding such trivial feelings, then is it likely a person may also have the build to behave likewise for stronger, further critical views that may impact how others regard the individual morally? I say trivial because ultimately, what does it matter if others know that you do not like Lady Gaga or think H&M to be a cheap brand? But people are strange for strange reasons, and hating Lady Gaga may invite others to feel you're a music elitist or H&M lovers may mistake your comment as snobbishly high maintenance. This may all be in the individual's head but as they say, "your mind is your worst enemy," and once he's locked you in, its very difficult for the outside world to pull you back out.


There is an obsession with fitting in, with not standing out if its not the fashionable way of standing out. There is a pressure that I need not even mention as we are all aware of. I maintain that a person may passionately hold a perspective without external demonstrations that reveal such a perspective, ever. Whether it be a lifelong crush, secret discriminations, hidden fears or joys, an individual may feel just cause for not disclosing any windows from which the external world may judge inwards.


If a person is impatient on the inside but does not reveal this, as they never make a bother of lateness, slowness or procrastination; if they appear understanding and forgiving, thus making the late party comfortable and unaware of their insulting behavior, how could one recognize the individual's impatience? Self conscious of how others look when impatient, resentful of how aggressive and proud others appear when misunderstanding or unforgiving, an individual may personally commit to an effort to avoid appearing as that which the individual finds an unappealing behavior. The question remains, is such an individual impatient? By action? No. However, internally there is a conflict. One is resentful for not being authentic, for grounding their true emotions from flight. A conflict like that may not pose a mortal threat but nonetheless, it can definitely be quite a nuisance. The individual, under such a conflict, is constantly aware of the insincerity of his/her actions, regardless if others are not. If the actions do not match the personal ideas behind those actions, shouldn't the "actor" then be judged by the ideas? If you feel impatient, you are impatient; if you don't, then you are not, despite your performance. Would Love be allowed the same leeway, would you mind at all that internally a person didn't love you, so long as that person never showed their true feelings?


At the same time, how could you know what a person is feeling if they never express it? And with that said, how could you ever truly, morally judge a person by their actions? Sure you can judge if a person is guilty of a crime, if a person has earned an award, or is sick; each of these can be deduced by factual, physical symptoms or evidence of actions but how a person internally feels is solely provided by what that individual chooses to communicate to the external world. That communication provides the evidence but as in a criminal trial, if the evidence is found to be falsified then it becomes insubstantial. We cannot rely on the assumption that everyone is being honest, until telekinesis develops in humans we cannot morally judge another person based on action alone.


Morality itself is a touchy subject, everyone has their own notions of good and bad, right and wrong. I don't think a person should be morally judged at all, morals divide people and shroud understanding by simply labeling and conditioning a behavior. But even if I felt morals were constructive and helpful in the overall evolution of mind expansion, how could I correctly make a moral judgement of an individual without all the facts? Without all the evidence, internal and external. I believe I cannot. Because only when the internal matches the external is the individual an authentic representation of their self and who they really are.


Is it what you do or what you feel that counts? It is what you do with the feelings you feel, what you feel for the things that you do, and if there is conflict between action and emotion then you cannot be judged because that is a coin that lands standing vertically, falling neither heads nor tails. External behavior alone cannot stand without disclosure of the internal sincerity of each act. That is, a patient person who is impatient on the inside is in fact, only pretending to be patient on the outside. Just the same, such a person is patient, because they are practicing patience regardless if they enjoy it or not; however, such a person is not authentically representing their self.


It is complex and human but I don't think it is something to be proud of, this conflict. We should all accept everyone as they are, understand and learn from one another, without fear of having our characters judged. Then we shall realize that when we reach that point where no moral judgement can be made, because we have fully understood one another, because we have become crystal clear as if our bodies were made of glass; there and only there, at that apex where no judgement need be established, thats the only point where moral behavior may validly be judged.

2009/10/21

...That is the Question


The Doctor's Dilemma - (1958) Directed by Anthony Asquith

Starring Leslie Caron, Dirk Bogarde, Alastair Sim, Robert Morley


As soon as you discover this film, as well George Bernard Shaw's play from which the film is adapted, indeed has an overzealous surgeon named Cut-ler, you are aware that the comedy is intentional. Between Cutler's scalpel and Sir Ralph Bloomfield-Bonington's obsession with "stimulating the phagocytes!" there lies a black comedy about the value of talent versus the value of character. Sir Colenso Ridgeon is the doctor asked to save and prioritize the life of an artist.


A doctor refuses to save the life of an artist based on his judgement of that artist's personal moral constitution. Of course in the place of that artist, the doctor chooses a colleague who is financially unsound, who treats very impoverished patients for free, many times without the accessibility to materials and equipment he cannot afford.


The doctor's decision is a noble one but there is also another reason why this decision is made. The artist is rather good, remarkably talented even, however of a scoundrel he is thought to be, there is no denying his skills as a painter. The artist is also young and if it weren't for the tuberculosis, a long future of celebrity and success awaits to meet him. The doctor is aware of this as well as the fact that the artist is also a liar, a thief, and practically an anarchist who makes a mockery of society, its establishments, and all their laws.


The doctor's mind would be easily made up if not for the artist's wife. Though not legally married, she very much loves her husband and cannot or does not see as the doctor does, the artist's manner as that, no more than of a deplorable lout. The doctor employs the notion that art's value increases with death, as does the artist's. This notion also preserves the memory of the artist as his wife currently regards him, that is with reverence and devotion. The doctor also hopes to marry the artist's wife after his death since the doctor has no doubt fallen in love with her; it is that love that keeps him from soiling her idolization for her husband, the artist. There is no telling in the film, whether the doctor could soil her admiration to the artist but it is the doctor's belief that he can. The doctor does not marry the artist's wife who hates him for not saving her husband's life.


Hopefully the doctor has learned a bit more about morality from his dilemma. Perhaps he notes, men are neither good or bad, nor their decisions. Choices are to be made to the best of one's capabilities and circumstances and the right choice is usually the fact that a choice has been decided upon with consideration and practicality. Morals are fixed ideas that change over time but until they do they are solid blocks of ready-made opinions and judgements. This is a very limited perspective with which to service the millions of people, all who possess in their heads, their very own individual institution of thought. None of us think exactly the same way, the print of our brain is as unique as the one found on a finger. The doctor may have discovered this as it is he who is now judged by the artist's wife the way he once judged the artist.


After watching the film, I immediately thought, did he make the right choice? I didn't have an answer. And that's just it, I don't think there is an answer to that. But I feel its definitely the question director, Anthony Asquith wanted us to ask ourselves.



Guilty Conscience - (1985) Directed David Greene

Starring Anthony Hopkins and Blythe Danner


This was a TV movie!


I still cannot get over that this was a TV movie. I am very near to adding this film to my list of favorite crime dramas, if I had such a list, of course. Anthony Hopkins is sharpened and intelligently sinister enough to make him the number one choice for Dr. Hannibal Lecter six years after this film was released. I'm not sure if Anthony Hopkins was in fact the first top choice for Lecter but this movie definitely couldn't have hurt the making of that decision.


The film's protagonist is a crime lawyer who, like the retail worker who understands the department store's security and takes advantage from within, understands the system he works for and decides to cheat it. This is the case for Arthur Jamison, the crime attorney who is conspiring the perfect murder of his wife. The murderer is conspiring throughout the entire film, thoroughly considering and analyzing different ways to go about it. The murderer is careful and with the help of the "guilty conscience," which is really (in the film) just logic projected as a prosecutor as the murderer takes the imaginary witness stand to defend an established alibi, the murderer tries each plot for strengths and weaknesses.


Examining a number of possibilities, including reasons as to why they'd fail, the murderer schemes. Finally the murder is committed and it is up to us, the viewers, to decide if the murder is perfect, how likely will suspicion be dismissed from its perpetuator?


The film is good for its story's intelligent delivery and the suspense--well cushioned by a subtle soundtrack and unpredictable sequences. I'm not sure about the color as I took no chances and set my television's color down to black and white.