Dolled-up Temptations

I am easily taken by presentation, its one of my many weaknesses. I cannot cease but judge a book by its cover--This, likewise, now applies to cds, dvds, and websites. Its shallow, I suppose and simultaneously admit, but it makes more of a personal difference than I care to be proud of.

The above Criterion Eclipse Series Collection is so sexy, it looks like candy! The brain dead consumer in me just dutifully jumps and barks like a dog for it. Its so neat and clean, simple and sophisticated, I fight thoroughly, the impulse to toss out 40+ dollars on possessing it. I promise myself I won't. The Criterion Collection is the high maintenance wife of my dreams that I love and hate. The Criterion website is just as alluring, like the perfect recreational loft for such a silk stockinged mistress.

Over-accessorized, over-produced, and sadly, more often than not, exclusive (as most of the films are out of print leaving them only available on The Criterion Collection). I'd be perfectly happy if they'd just restore the film and sell me just that! Sure, I'd want it sold in a fancy package as well, after all I'm still civilized, aren't I?

Cold Souls

Voskhozhdeniye / The Ascent -

(1977) Directed by Larisa Shepitko

Starring Boris Plotnikov, Vladimir Gostyukhin

Lyudmila Polyakova

Larisa Shepitko. The same year Bowie released Low and Heroes. The Ascent. I wrote not to long ago that Whiteout should've been filmed in black and white, when you watch The Ascent you'll understand why. The contrast, the uneven contrast of that vast white, blank canvas that overwhelms whatever darkness is presented against it. The Ascent is very spiritual and subtle, where the film is heading remains elusive to prediction, however once arrived at, each fold of the film is a soothing unraveling like that of gauze from a healed wound. I noticed that the earlier scenes of the film have more white as they mainly take place on open fields covered in snow, while in later scenes, the snow is interrupted by trees, houses, later removed completely by a shed/holding cell. In fact, we do not see another shot of 90% snow on the screen after a certain point in the middle of the film. This is not a complaint. What the story seems to do is, as the settings darken, the true nature of the characters brighten to plain view and are revealed to us.

Why are Criterion Collection films so expensive? Its not just that they're expensive its that they tend to be the only available edition of most of those films. It becomes that you have no choice, though, one never knows what a clicking trip to amazon.com may have in store for a DVD collection.